Is Facebook Not Friendly to Natives?

February 18, 2009 by brownpages

Anyone with an unusual ethnic sounding name will know what a chore it is to ring up a taxi, book a hotel room, leave a message, apply for a job, deal with a government agency, join the gym, register with an organisation…in fact a myriad of day to day tasks that require you to identify yourself.  The reason being is that you almost always have to spell your name carefully, pronounce it, possibly explain where it came from and what it means if they’re curious enough to ask, then double check their spelling before completing your task.

I have many cousins and acquaintances who have two names, one for the family and the other for Palagi/Pakeha people.  My cousin Mulu also goes by the name ‘Kevin’, my cousin Sanouefa goes by the name ‘Eileen’, my Chinese real estate agent Zhiang uses the name ‘Peter’ on his advertising.

One of the few places you wouldn’t have to explain your name is when you set up a profile online for a social networking site right?  Wrong.

A young Lakota woman by the name of Robin Kills The Enemy reportedly had her Facebook account shut down after one of Facebook’s operations analysts deemed her profile name a violation of their Terms of Use.

Kills The Enemy’s account has since been reinstated, but not without causing indignation and outrage to her, her family and friends, and many other native and indigenous people who experience marginalisation simply by saying their name.

Two years ago when I interviewed Radio Waatea announcer, Kingi Taurua about his childhood, he recalled how he had to change his name at the Native School he attended up north at Oromahoe because the teacher couldn’t pronounce his name – Kingi Eruera.  In the end his father made him take the name ‘Albert’ after their rooster because they were both cheeky.  While there was a funny element to the story, you could still sense the hurt that someone could make a child feel small and unworthy because their name was ‘alien’.

I know there are thousands of stories like this, but in this day and age when technology is supposed to enlighten us, indigenous people are still having to prove and justify their existence at such a basic level.

What can we do about this?  Two things.

I suggest we set up our own indigenous social networking site.  Look at the success of Black Planet.  16 million users and a successful meeting place for black American people.  There are 370 million indigenous people worldwide according to the United Nations (Facebook has about 110 million users).  I’m not sure how many have access to a computer, but what a great opportunity that represents for indigenous people.  I’m sure this isn’t a new idea but it’s one that hasn’t been done successfully yet.

The second and most important thing is we must continue to bear our names with pride, and if we have to, keep educating people about who we are.  It’s a tedious and sometime frustrating process, but every time I do, one more person becomes acquainted with my tupuna (ancestors).  Even if that person doesn’t care about my tupuna, the words have been spoken and put out into the atmosphere and into their consciousness.

The full story of Robin Kills The Enemy can be seen on the Rez Net website at this link http://www.reznetnews.org/article/facebook-not-friendly-natives-29240.

Nearly half of Polynesians have tattoos – survey

February 11, 2009 by brownpages

Yesterday’s report from NZPA that almost half of Polynesians were tattooed made me do my own mental survey on the spot.

I counted 43 relatives and friends off the top of my head who had tattoos, and at work today at Maori Television, I counted 15 people with leg, arm, hand or facial markings.   I often ask people what their tattoos mean but I’ve never thought about how many people had them because it’s a normal part of our culture.

As yet, I remain unmarked, but I love the creativity of our skin artists.  Ngahuia Te Awekotuku’s book ‘Mau Moko’ was published last year and provides a well researched and fascinating masterpiece with beautiful images and writing.

“In the traditional Māori world, moko, or facial or body tattoo, was part of everyday life; everyone had some patterning on their skin. Men wore elaborate designs on their faces; women wore usually less complex but elegant design, and both sexes had extensive body work. After almost dying out in the twentieth century, Māori skin art is now experiencing a powerful revival, with many young urban Māori displaying moko as a spectacular gesture of ethnic pride and identity.”  Ngahuia Te Awekotuku.

In terms of Samoan tattoos, two tattoos have always stood out in my mind.  One was my grandfather, Agavale Sio’s pe’a.  He was about 90 when he died a few years ago in Vaimaga, Fusi in Savaii, but the ink on him which must’ve been about 70 years old, was still vibrant. The other was the grandmother of my friend Siautu Alefaio who I interviewed about 15 years ago for Tagata Pasifika at TVNZ.  The old lady was over 90 years old and she told me about getting her malu done when she was about 16.  Her memory was so sharp and she wept as she recalled the pain of getting it done and the meaning of the designs.

The first time I watched a man being tattooed was in the late 80s.  The late Su’a Suluape Paulo tattooed the late artist, Tony Fomison, at Auckland Museum as part of an exhibition.  Watching his skill and precision at work was a great priviledge.

While today’s tattoos and skin art continue to fascinate me, it’ll always be those old people that I remember because while they are no longer with us, they shared some deep and personal experiences with me.

>>>>>>>>>>>>>>>>>>>>>>>>>>
5:29PM Tuesday Feb 10, 2009
Source: NZPA
Link: NZ Herald

Nearly one in five adult New Zealanders have been tattooed, and women are more likely to get one than men and young people.

A UMR Research survey of people aged 18 years and over indicated 19 per cent of adults have been tattooed, with the rate rising to 36 per cent among the adults younger than 30.

Overall, 22 per cent of women have been tattooed, compared with 17 per cent of men.

And there was an even bigger split on ethnic lines: almost half (47 per cent) of Maori and Pacific Islanders had been tattooed but only 15 per cent of other ethnicities.

“Polynesians gave the English language the word tattoo which is derived from the Samoan word tatau, so it should be no surprise that Pacific Islanders and Maori were also far more likely to have had tattoos than others,” said a director of the research company, Tim Grafton.

Almost one third (32 per cent) of parents with dependent children had a tattoo compared to 13 per cent of the rest of the adult population.

Few had any regrets, with 85 per cent of people with a tattoo saying they did not regret it. Men were slightly more likely to regret having had one than women.

- NZPA

Celebrate Valentine’s Day With Pacific Art

February 11, 2009 by brownpages

If there’s one Pacific art shop I love browsing it’s the Okai Oceanikart Gallery on Karangahape Rd in Auckland.  Marilyn Kohlhase, Bridget Marsh and the team launched the gallery in 2006 and the Pacific talent they have on their books are amazing.

Sylvia Marsters, Tui Hobson, Theo Ah Wong, Leanne Clayton Fatu Feu’u and work by many other artists adorn the shop waiting for buyers with a keen eye.

'Embellish' by Sylvia Marsters.

'Embellish' by Sylvia Marsters.

I swore that if I sold my house this year I would buy a piece by Ellie Fa’amauri, who captivates me with her linear patterns and blend of colours.  I’m no art connoisseur but I know what I like, and as I’ve slowly gotten to know many of the artists over the years, I’ve come to understand their work.

With Valentine’s Day this week, Okai Oceanikart is promoting their works as the perfect lasting gift for that special person.  Check out the fabulous oil on canvas above by Sylvia Marsters called ‘Embellish’.

For more information about Okai Oceanikart Gallery, go to their website http://www.okaioceanikart.com.

Brown Pages supports indigenous creativity and success!

New Technology and Expert Judges at Kapa Haka Festival

February 11, 2009 by brownpages

MEDIA STATEMENT
11 FEBRUARY 2009

Kaiwhiriwhiri (Judges) presiding at Te Matatini National Kapa Haka Festival 2009 will combine their specialist expertise in the Māori performing arts with the latest computer technology – to decide the country’s top kapa haka groups.

An automated software system for scoring the 36 competing teams has been developed for Te Matatini by PC Vote Limited. Using a PC and wireless mouse, each of the 28 Kaiwhiriwhiri will now enter their individual marks on a screen via a series of prompts. When confirmed, the results are automatically computed and sent to a central database.

The new system can provide instant reports across a range of categories – by group, judge, discipline, or any combination of these. A computerised data capture system has also been developed as a backup.

Te Matatini Festival chairman, Selwyn Parata said the new technology was a welcome innovation to replace the previously labour-intensive task of manually collating, recording and tallying results. Cumbersome and time consuming, he said the manual process was vulnerable to human error and not without contention during its time.

“The introduction of this new technology restores the integrity, transparency, and confidentiality, crucial to the judging process.” He said the ‘audit-ability’ and the fast and comprehensive reporting functions of the system would alleviate the pressure felt by judges at past Festivals.

Kaiwhiriwhiri had received training in the technology, which Mr Parata said had potential as a standardised system for application at regional competition level too.  From Thursday to Saturday, 12 teams compete in three pools. On Saturday evening the aggregate marks from the required disciplines – Whakaeke (entry); Mōteatea (traditional chant); Waiata-ā-Ringa (action song); Poi; Haka; and Whakawātea (exit) – are averaged and tallied to decide the nine finalists for the Sunday showdown.

As well as the required disciplines, the 36 kapa haka teams are judged in nine noncompulsory
disciplines that include Kakahu (costumes); Manukura Wahine (female leader) and Manukura Tāne (male leader).

Click here to download the full press release with names of all the judges.

MAUForum To Celebrate Arts, Ideas and Activism

February 5, 2009 by brownpages

Minimize

Lemi Ponifasio
MAU Company
Tui Atua Tupua Tamasese
Samoa Head of State
Peter Sellars
Opera and Theatre Director

The fourth annual MAUForum curated and hosted by Lemi Ponifasio and his MAU Company will take place from February 27 to March 21 at Corbans Estate, Henderson in Waitakere City, Auckland.

Produced over 23 days each March, the MAUForum presents inspirational and provocative artists, thinkers, writers, activists, heads of government and communities from around the world and across the Pacific region.

Events include a presentation by the Samoa Head of State, His Highness Tui Atua Tupua Tamasese for the Pacific Thought Symposium, the world-renowned director Peter Sellars’ address at The Pig Dinner, as well as the New Zealand premiere of Lemi Ponifasio’s Tempest: Without a Body at the ASB Theatre Aotea Centre scheduled for opening night of this year’s Auckland Festival.

“We initiated the MAUForum as a gathering of artists within the ordinary life of the community to share ideas and seek new pathways for action.  It’s a stimulus package for everyone,”
says Lemi Ponifasio.

The performance program includes avant-garde musician/composer Dean Roberts, the Laughing Samoans, New Zealand’s leading funk band Rhombus, the world premiere of choreographer Alexa Wilson’s new work Toxic White Elephant Shock, the New Zealand premiere of the award winning playwright Dianna Fuemana’s Falemalama, the hurricane-like humour of Kila Kokonut Krew and the open air performance TUTAU: Standing In Time by MAU and the community, staged by Lemi Ponifasio.

Other major events include presentations by new media artist couple Burnett-Rose, the launch of the Global Children Forum, an international MAUForum project where children meet and exchange visions and plans for the world, a special gathering of activists and artists under the project Hands UP!, which is an evening of performances and talks asking the question – are activists visionaries, freedom lovers or terrorists?  There will be an art exhibition featuring leading artists Fatu Feu’u, Filipe Tohi and John Ioane and the I AM: Mama Project led by artist Delicia Sampero in collaboration with Pacific Mamas and refugee Mamas from the Middle East and Africa.

“The Perception of Beauty and Truth” is the reflection for this upcoming MAUForum.  All of the events are accompanied with artist conversations, panellists, food, ceremonies and the daily MAU School.  Other workshops will be held in collaboration with the Auckland Festival by the Japanese theatre company Ishinha and the music ensemble Sing Sing.

Current information may be obtained from the MAUForum website: www.mau.co.nz which will be updated daily.

Ends

For more information contact:
Kasia Pol
Landline>(09) 836 9345
Mobile>021 184 8212
Email>mau@mau.co.nz
Website>www.mau.co.nz

Kawhia Maori Kai (Food) Festival

February 3, 2009 by brownpages
Mussel Fritters at Kawhia Maori Food Festival

Mussel Fritters at Kawhia Maori Food Festival

The Kawhia traditional Maori kai festival is Kawhia’s biggest day. A genuine taste experience of Traditional Maori Kai from the sea and the land…Thousands of visitors flock to Kawhia every year for the annual food festival on Waitangi weekend in early february.

The next Kawhia Traditional Maori kai (food) festival will be on Saturday Feb 7th, 2009.

Its an awesome day, full of cultural activities and a huge tasty array of delicious, mouth-watering, traditional and modern Maori kai.

The band keeps the large crowds entertained, while the stall-holders cook up a storm in their undercover shelters. Occasionally Maori kapa-haka groups gather on stage to give an arousing performance, that pulls the mass of visitors from the food stalls and sends a shiver of excitement through the audience.

Multitudes of kids throng to the wharf and beach a few metre’s away to cool off in the tide and a harbour, while a cruise vessel journeys up and down the harbour, taking people on history cruises.

For many Tainui people, the Kawhia kai festival has become a day for renewing ties with whanau & friends, while re-connecting with their spiritual homeland.

For others, it’s an opportunity to participate in a friendly Maori experience. For more information go to the Kawhia Maori Kai Festival website.

International Interest in Te Matatini Kapa Haka Festival

February 3, 2009 by brownpages

29 January 2009
MEDIA STATEMENT

Efforts to step up international interest in Te Matatini National Kapa Haka Festival are paying off with overseas tickets sales and the first-ever visit of cruise ship passengers to the event in Tauranga next month.

With more than 1000 passengers on board, the Crystal Serenity which docks in Tauranga on 19 February 2009 will ferry visitors from the USA and Canada to watch the country’s top Māori performing arts exponents compete at Bay Park Stadium.

Festival chairman Selwyn Parata said ticket sales to the United Kingdom, Canada, USA, Europe and Australia and the confirmed interest of cruise ship passengers has bolstered the confidence of Festival organisers and performers.

“We have long recognised the untapped potential of the Festival in terms of international visitor interest and now we have an opportunity to show them why this is a unique worldclass event and hopefully capture and build on that interest in the years to come.”

He said making the Māori performing arts more accessible to a wider audience had been a priority for the Festival prompting the introduction of ‘Hakarongo Mai’, a radio service trialled in 2007 which provides a live simultaneous translation of each performance via an FM frequency (100.6 FM).

“Many non-speakers of Māori lose the essence of performance, simply because they don’t understand what is being conveyed on stage. Drawing on the expertise of some of our finest interpreters, Hakarongo Mai introduces our audience to the diverse elements of Kapa Haka, and gives them an insight into the stories and issues of each segment of a group’s performance.”

And while the interpretation essentially focuses on the vocal aspects of Kapa Haka, Mr Parata says it may also embrace the visual elements of performance to explain the actions and movements that accompany each composition.

Headsets and radios are available free at the Festival and listeners can also pick up the broadcast using their own radios, MP3 and iPOD players within a 100 km radius of the venue.

Hakarongo Mai goes to air Thursday 19th February 2009 at 4pm and continues broadcasting through to the final round of the Festival competition on Sunday 22 February 2009.

Te Matatini National Kapa Haka Festival is proudly sponsored by Te Puia, New Zealand Māori Arts and Crafts Institute and the University of Waikato in association with the Ministry of Culture and Heritage and Te Puni Kōkiri.

For further information contact:
Damiane Rikihana damiane@tematatini.co.nz or 027 245 2500
Te Matatini National Kapa Haka Festival
Tauranga 19-22 February 2009
www.festival.tematatini.co.nz

New Sleazy Mobile Network Plays On Maori Word

January 31, 2009 by brownpages

An interesting press release arrived in my inbox today which originated from David Wright in Singapore via Google Alerts.  The intriguing release hailed the arrival of a new mobile peer to peer network launched in Singapore today called “Kiora”, a play on the Maori word “Kiaora” which means hello.

logoAnything that promotes the Maori language, even a small phrase like “Kia Ora”, has to be good I thought.  But after checking out the site http://kiora.com, the site looks more like a sleazy dating/pickup site and bears no relation whatsoever to Maori culture.  I’m offended by the site even more so, because the founder refers to Maori in the first sentence of his press release.

I know we’re in a digital age where anyone can find ways to use words, phrases, designs or imagery from other cultures, trademark them, or use them to sell their products or services.  But couldn’t this guy use his handy technology for something a bit more socially responsible?  My quick zip around the site came up with at least seven appearances of the word f*!@, sex, arse and many suggestive or nude photos of women.

If people want to distribute porn or dating links to each through their mobiles in any language they want I guess that’s their business, but can the founder of Kiora please leave Maori culture out of it?

Check out the full press release below:

Kiora, the world’s first mobile peer to peer network launches in Singapore

The name Kiora is a play on the Maori word Kiaora which means hello. The Kiora mobile application has been designed to turn “hello” into a rich digital experience.

The Kiora mobile application has been designed to turn “hello” into a rich digital experience.  The Kiora mobile application uses Bluetooth technology to enable mobile phones to connect to each other and share information, such as their music collection, facebook profile and general interests.

The Kiora mobile application has been trialed in a dozen countries, including India, Thailand and the Philippine’s and starts it life with 10,000 subscribers already on board. Kiora utilizes the latest translation technologies, to seamlessly translate peer to peer messages, enabling communication on a global scale.

Kiora is also and entertainment portal, offering the latest in 3GP video and flash games to keep Kiora subscribers entertained.  Founder of Kiora.tv, David Wright says that the Kiora application will next be translated into Chinese to take advantage of China’s new 3G mobile networks.  The kiora.tv application can be downloaded for free to most phone models from the kiora.tv website.

Savea Malietoa – Pioneer Samoan Artist

January 26, 2009 by brownpages
Paintings by Savea Malietoa

Paintings by Savea Malietoa

In 1999 while browsing at a second hand shop in Glen Innes, Auckland, New Zealand, I came across these three paintings which immediately grabbed my attention.  Up until then I hadn’t bought much art, but I knew these original paintings were significant, especially when I saw the artist’s signature, Savea Malietoa.

Savea Malietoa's signature

Savea Malietoa's signature

Over the years I searched for information on the internet and asked a few friends including Fatu Feu’u if they knew of him.  The first comprehensive info I discovered came last week when I read a story about Savea Malietoa in Muliaga Jean and Savea Sano Malifa’s newspaper Auckland Pacific Today. The information, sourced from Sean Mallon’s book “Samoan Art and Artists” (O Measina a Samoa), was fascinating.

Savea Malietoa (1914-1994) was a carver, craftsman and painter.  He painted in oils but grew to love acrylics when he was introduced to them by artist/writer Momoe von Reiche.  Famous actors like Raymond Burr, Sammy Davis Junior and Marlon Brando acquired Savea’s work as well as a gallery in Scotland.

“He was often in demand to travel around Samoa and paint images in churches and occasionally on buses,” says Sean Mallon’s book O Measina o Samoa. “Even the few examples seen of his work and the stories told about him, it seems Savea’s careful but untutored hand captured idyllic images of Samoa that would satisfy both local and tourist tastes and provide a small income for his family.  But they also reveal the very simple life and pleasures of a man who loved nature and loved to carve, draw and paint.”

And after ten years of gracing my home, I am pleased a small part of Savea’s story has also been revealed to me.

My Favourite Movies

January 26, 2009 by brownpages